There is a photograph kept in the Broome Museum of a group of Japanese men dressed in formal looking clothes (white, much like the pearling masters) with one boy and a a man dressed like a Japanese Buddhist priest in front of Takazo (Tomasi) Nishioka’s grave. The caption on the photograph reads:
Japanese Men at Cemetery on eve of annual Bon Matsuri Festival. Boy standing in front of Yasukichi Murakami. Grave of T. Nishioka died 9/03/1901.
Murakami is the only one identified in this photograph, reminding me that he is one of the very few among thousands of Japanese who had been in Broome to have left his mark in history as an individual remembered by name. Someone in the community, perhaps many years after the war, remembered and identified him in this photograph.
I showed a copy of this photograph to Tomoko Yamada, a Japanese fiber and millinery artist who recently migrated from Osaka to Broome to live with her partner, and requested her collaboration. Together during the Shinju Festival this year, Tomoko and I will create a photograph at the Japanese Cemetery. I asked her to bring with herself, four other women and a girl of her choice and then to let me know the processes of the choice of people she brings to take part in this collaboration. They need not be Japanese necessarily. I requested women – simply because there are only men in this original photo. We will put up a tripod and I will stand in place of Murakami. She will be whoever she would like to be.
Tomoko noticed from the photograph and its caption that the men were dressed formally because of Bon. Bon in Japan is an annual celebration during the full moon in August when spirits of the dead is said to return to this world. People return to their homelands, visit their ancestral graves and enjoy festivities with food, sake and dance. The annual Shinju Festival (Matsuri) in Broome have their origins in Bon, when the Japanese in town held festivities at Broome’s Japanese Cemetery.
– Posted by Mayu Kanamori