DNA and RNA: what and how of a role of artist and of being human

When I saw Kevin Murakami in Broome, my heart felt like it had stopped for a moment. The shock of seeing him took me to a place I had not prepared for. There was Yasukichi Murakami walking out of his car, I thought, approaching me to say hello.

Kevin Murakami, Broome, 2013  Photo by Mayu Kanamori

Kevin Murakami, Broome, 2013 Photo by Mayu Kanamori

This man of course wasn’t Yasukichi Murakami nor his ghost, but his great grandson, who travelled from Fitzroy Crossing to see me during my stay in Broome. He heard me give an interview with ABC Kimberley about my search for Yasukichi Murakami’s life and work, and contacted me.

I was working with my friend Sarah Yu in Broome on another project: Jetty-to-Jetty, a heritage walking trail of Broome’s foreshore commissioned by Nymaba Buru Yawuru. My specific task was to interview members of old families of Broome in connection to places and their relationships with one another; then create audio files of stories with multiple voices, which tourists could listen to via a phone app whilst walking from the Streeter’s Jetty where hte pearl luggers used to operate from and the site of  Broome’s old Jetty, where the Town Beach is today. They are families and places Yasukichi Murakami would have had intimate knowledge of. After all, he lived in Broome for 35 years of his life. Once again, my work connects past with present and present with future through people, stories, relationships, place and space.

Kevin had driven 400 kms to just to see me. More precisely, he had come to connect with his great grandfather Yasukichi Murakami so that he can then pass on this connection to his two daughters in Perth. He came so I can give him his ancestral family photographs that I have been collecting and digitizing whilst traveling between Sydney, Perth, Darwin, Broome, Tokyo, Yokohama and Tanami in Japan for my Murakami project.

To make my art, I travel many kilometers to ask others to assist me, to receive from them information I need to carry out my work. This time, however, it was Kevin who travelled to receive information that he needed, and he in turn will pass this information on to his children.

IMG_9793

Yasukichi Murakami, self portrait, by Yasukichi Murakami, 1905, Broome. Courtesy, Murakami Family Archives.

I felt as if this exchange touched upon something very mysterious and significant. It was as if I was given  some sort of a hint about how our creative practice, no matter how small it may be in the great scheme of things, is an important part of the whole. That this project is not only about Yasukichi Murakami nor just about my research nor about my art. That in so far as we are alive, there are things we are meant to do for something much bigger than us.

Kevin’s facial and physical features, so similar to what I have seen of Yasukichi Murakami through his self portraits reinforces these insights of being part of a continuum, in this particular case, the Murakami DNA. So then I begin not only to wonder about the role of DNA, but also the role of RNA in the scheme of things.

I remember studying biology in school. The DNA is said to be a molecule that encodes the genetic instructions used in the development and functioning of all known living organisms and  the RNA performs multiple roles in the coding, decoding, regulation, and expression of genes. I am not a scientist, but I think simply put DNA tells a cell what to do and  RNA carries this information for it to happen… or something similar.

Hm….

So then what and how is my role as an artist? As a human being?

-Posted by Mayu Kanamori

Listen to the ABC Kimberley interview here: http://www.abc.net.au/local/audio/2013/05/20/3762857.htm?site=kimberley

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3 thoughts on “DNA and RNA: what and how of a role of artist and of being human

  1. Pingback: In Appreciation | About Murakami

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